There are some books that have been on Book Mountain for a very long time and Boudica, Dreaming the Eagle by Manda Scott is one of them.
I'm not sure why it has taken me so long to get around to reading this, other than the fact that the copy I have is in hardback. Dreaming the Eagle has got Celts, Ancient Britons, Romans and Druids, its got sword fights, pitched battles and shamanic journeys, all stuff I love. On top of that, it's got strong female characters, sensitive male characters, lots of variation in sexual and intimate relationships and rites of passage.
It's competently told. The characterisation is good for both main and supporting characters. The relationships between them are strong and I could really connect to them. The world of the Druids and the early Roman empire is convincingly brought to life. Dialogue is good, pacing is good. And the story is good. Scott's use of foreshadowing is excellent. Through shamanic journeying and visions a couple of pivotal events are foreshadowed early on and it is not at all obvious how they will play out. I found myself thinking I knew how it would go and finding myself wrong. Yet the final reveal felt natural and unforced. Great stuff.
This is the first in a series of five and I will certainly be reading the rest. I liked this a lot.
Tuesday, 21 December 2010
Friday, 17 December 2010
Thoughts on reading: Corum
I'm working my way through Michael Moorcock's The Eternal Champion series and recently I read Corum. Elric is one of my favourite characters in literature and I enjoy the self-conscious/aware nature of the multiple worlds cycle that is the Eternal Champion. Although one might argue that Moorcock is simply telling the same story over and over again. Of course, there is an art in that. Multiple interpretations of the same story layer up into a deeper understanding of the themes that are explored.
Corum comprises The Knight of the Swords, The Queen of the Swords and The King of the Swords. The language is amazing; the descriptions are lush and full of depth. Characterisation is not so deep, because the characters are ciphers. They perform the function of metaphor. What is happening here is myth not story.
Moorcock is the literary end of science fiction and I think you either like it or you don't. Or at least, that's true for me. I usually don't have much time for literary fiction because it turns out I'm all about the story. However, Moorcock's worlds are so fantastic and the description so beautiful that I am completely engaged. I find Moorcock much easier to read than most literary fiction.
I also enjoy the links with the other works and in the last volume of Corum, Elric makes an appearance, so that's good. I enjoy the layer where the story is inviting the reader to compare it with its other versions in the Eternal Champion multiverse.
I enjoyed it. Corum's not as good as Elric though.
Corum comprises The Knight of the Swords, The Queen of the Swords and The King of the Swords. The language is amazing; the descriptions are lush and full of depth. Characterisation is not so deep, because the characters are ciphers. They perform the function of metaphor. What is happening here is myth not story.
Moorcock is the literary end of science fiction and I think you either like it or you don't. Or at least, that's true for me. I usually don't have much time for literary fiction because it turns out I'm all about the story. However, Moorcock's worlds are so fantastic and the description so beautiful that I am completely engaged. I find Moorcock much easier to read than most literary fiction.
I also enjoy the links with the other works and in the last volume of Corum, Elric makes an appearance, so that's good. I enjoy the layer where the story is inviting the reader to compare it with its other versions in the Eternal Champion multiverse.
I enjoyed it. Corum's not as good as Elric though.
Saturday, 11 December 2010
Thoughts on reading: Royal Flash
Royal Flash by George MacDonald Fraser is the second in a series of books following Flashman, the bully from Tom Brown's Schooldays (which I never read). Naturally, I haven't read the first in the series.
Well, this is a pretty entertaining romp that doesn't take itself seriously at any point. Actual history is tweaked to give Flashman a role in world changing events. The characterisation of Flashman is excellent and it's told in first person from his viewpoint. Characterisation of supporting characters is quite shallow, but this rather suits Flashman's character so it works.
It's competently written, dialogue is good, pacing is great, and the story is just fun. It was written in the 1970s and the language does reflect that, but that was the only thing that niggled.
Well, this is a pretty entertaining romp that doesn't take itself seriously at any point. Actual history is tweaked to give Flashman a role in world changing events. The characterisation of Flashman is excellent and it's told in first person from his viewpoint. Characterisation of supporting characters is quite shallow, but this rather suits Flashman's character so it works.
It's competently written, dialogue is good, pacing is great, and the story is just fun. It was written in the 1970s and the language does reflect that, but that was the only thing that niggled.
Tuesday, 23 November 2010
Thoughts on reading: Slights
Slights is the debut novel of Kaaron Warren, published by Angry Robot, that came as part of my welcome pack from joining the British Fantasy Society.
The protagonist is a serial killer and the blurb implies that the story will be a gruesome serial killer horror. Instead it's somewhat of a hybrid. It's part psychological horror, part ghost story and part mystery. I enjoy some genre-bending and I was pleasantly surprised that the novel was more complex than the blurb gave it credit for.
It is written in a really engaging voice and over the course of the story the truth about the protagonist's father is revealed. One of the stand-out features of the book is the way the protag comes to awareness about herself and her relationships. At the end, nothing is what it seemed to be at the beginning and the changes are handled very skillfully.
It's worth reading, especially if you're on the lookout for something a bit unusual, and I shall look out for more of Warren's work.
The protagonist is a serial killer and the blurb implies that the story will be a gruesome serial killer horror. Instead it's somewhat of a hybrid. It's part psychological horror, part ghost story and part mystery. I enjoy some genre-bending and I was pleasantly surprised that the novel was more complex than the blurb gave it credit for.
It is written in a really engaging voice and over the course of the story the truth about the protagonist's father is revealed. One of the stand-out features of the book is the way the protag comes to awareness about herself and her relationships. At the end, nothing is what it seemed to be at the beginning and the changes are handled very skillfully.
It's worth reading, especially if you're on the lookout for something a bit unusual, and I shall look out for more of Warren's work.
Sunday, 21 November 2010
Thoughts on reading: some non-fiction books
I'm a bit behind on my book posts. I have a tallish pile of books sitting on the desk waiting for me to say something interesting about them. We can only hope...
Several of the books are non-fiction so I thought I'd bundle them all together.
Bad Samaritans: The guilty secrets of rich nations and the threat to global prosperity by Ha-Joon Chang. A good discussion of the real strategies the rich nations used to grow rich and dissection of the myth that free trade encourages econominc development.
The New Rulers of the World by John Pilger. This is a bit old now, having been written in 2002 in the aftermath of 9/11, but it's interesting to see how many of Pilger's analyses still hold true.
The Pig that Wants to be Eaten: And 99 other thought experiments by Julian Baggini. This was a freebie with a magazine ages ago. It's very short essays on philosophical questions applied to everyday life. Very thought-provoking - and potentially full of ideas for speculative fiction stories.
Pilgrims by Paul McDermott. Another freebie, given away by the author on the South Bank. This is the 'true' story of a young man who volunteers to spend time with a terminally ill elderly woman. It's quite moving, but perhaps not as transformational as the author would have us believe.
Several of the books are non-fiction so I thought I'd bundle them all together.
Bad Samaritans: The guilty secrets of rich nations and the threat to global prosperity by Ha-Joon Chang. A good discussion of the real strategies the rich nations used to grow rich and dissection of the myth that free trade encourages econominc development.
The New Rulers of the World by John Pilger. This is a bit old now, having been written in 2002 in the aftermath of 9/11, but it's interesting to see how many of Pilger's analyses still hold true.
The Pig that Wants to be Eaten: And 99 other thought experiments by Julian Baggini. This was a freebie with a magazine ages ago. It's very short essays on philosophical questions applied to everyday life. Very thought-provoking - and potentially full of ideas for speculative fiction stories.
Pilgrims by Paul McDermott. Another freebie, given away by the author on the South Bank. This is the 'true' story of a young man who volunteers to spend time with a terminally ill elderly woman. It's quite moving, but perhaps not as transformational as the author would have us believe.
Tuesday, 9 November 2010
Some questions....
Martin said I could steal this, so I did. I needed to ease myself back into blogging regularly, so what could be more lightweight than a getting-to-know-you-questions meme.
1. What do you consider your hometown to be?
Stevenage, I guess. I'm not sure I really feel the concept of hometown though. I wasn't born here, and I spent my formative years in lots of places, but I've lived here for most of my life now and I'm pretty happy here.
2. What’s the hardest part of your average day?
I don't really think anything about my average day is hard. I have an underactive thyroid and sometimes I get depressed, so when I'm feeling ill it can be hard to get out of bed. Occasionally, I don't manage it. Sometimes I have things to do at work that I find challenging. I don't see those things as average though.
3. The easiest? Why?
Lunch? Sitting on the sofa watching TV? Reading? Snuggles with my cats and rabbit? Things that are not overly demanding of my energy and make me feel good, I guess.
4. What beverage do you reach for to quench your thirst?
Sparkling water.
5. What is one not-so-secret goal you have for your life? I’ll let you keep your secret ones to yourself.
To publish novels and drink some very fine wines.
6. What physical pain do you fear most? For example, I’m trying to decide how bad my jaw pain needs to get before I risk a potential needle from my dentist. So, for me, throbbing is preferable to jabbing.
Burns.
7. Where do you find solace?
In books; in music; in the smell of incense; in a warm fire in a dark, cosy room; in solitude.
8. What makes you the saddest when you read/see the news?
The lies and propaganda make me angry. What makes me sad is knowing how much important news isn't covered because it happens to 'unpeople'.
9. What do you eat for a favorite snack?
Chocolate!! Ha ha.
10. What movie(s) could you/would you watch more than two or three times and still enjoy just as much as the first time?
Loads. Bladerunner, The Company of Wolves, Pirates of the Caribbean, Pitch Black, The Hitcher, Monty Python and the Holy Grail, and so on. I can happily watch things over again.
11. What boy/girl first made you cry?
Aside from my family? I don't know. I've always cried easily.
12. What brand of coffee/tea do you drink most often?
Twinings English Breakfast Tea
13. Dig in the dirt with or without garden gloves?
Without, definitely. Don't get me wrong, I don't actually do gardening because it needs doing all the time. If I could garden once a year, that would be fine, but it's like outside housework and needs redoing continuously. But back to the question; if I'm going to plunge my hands into mud and dig around I want to feel it. I like getting my hands dirty.
14. Strictly Come Dancing or The Apprentice?*
How could I choose? I love them both!!
Blog your answers and put the link in the comments!
*I changed this question because the original didn't mean anything to me.
Monday, 4 October 2010
Thoughts on reading: Twelve
This came to my attention at alt.fiction 2010. During a panel it was held up as an example of a perfectly good novel that couldn't sell due to the market. With the upswing of the horror market, it found a publisher after having been with an agent for something like four years. I was keen to see what Twelve by Jasper Kent was like.
This is an historical horror; a vampire story set in Russia during the Napoleonic wars. I found the setting quite convincing, in terms of both time and place. Not that I know much about Russian history, so I'm probably quite easy to convince in that regard. The dialogue felt appropriate although I noticed a few conspicuously modern terms slipping into the narration.
The vampires were the opposite of sparkly. They are returned to subhuman killing machines with superior strength and speed, yet seem quite easily dispatched by the hero once he's convinced of what they are. There are some nice moments of suspicion and betrayal among the hero and his friends.
Unfortunately, I found that the choice of viewpoint flattened the story someone. It is a first person narrator told by the hero, who is a man traumatised by torture in his past and by the choices he has to make in the present. His response is to become shut off from emotion. Which is a realistic response but as he's the narrator it leads to an emotionally flat story. The reader doesn't feel the horror because the narrator can't. It nags at the edge of the consciousness and the narrator acknowledges that he should have more emotional sensation than he does (although this was a bit 'tell' for me) but he can't feel what he should feel because it will overwhelm him. For me, as a reader, this felt distancing. I think it would have benefitted from first person narration by a sidekick or from third person narration.
Having said that, there was an excellent twist at the end, I did enjoy it and I will read the sequel.
This is an historical horror; a vampire story set in Russia during the Napoleonic wars. I found the setting quite convincing, in terms of both time and place. Not that I know much about Russian history, so I'm probably quite easy to convince in that regard. The dialogue felt appropriate although I noticed a few conspicuously modern terms slipping into the narration.
The vampires were the opposite of sparkly. They are returned to subhuman killing machines with superior strength and speed, yet seem quite easily dispatched by the hero once he's convinced of what they are. There are some nice moments of suspicion and betrayal among the hero and his friends.
Unfortunately, I found that the choice of viewpoint flattened the story someone. It is a first person narrator told by the hero, who is a man traumatised by torture in his past and by the choices he has to make in the present. His response is to become shut off from emotion. Which is a realistic response but as he's the narrator it leads to an emotionally flat story. The reader doesn't feel the horror because the narrator can't. It nags at the edge of the consciousness and the narrator acknowledges that he should have more emotional sensation than he does (although this was a bit 'tell' for me) but he can't feel what he should feel because it will overwhelm him. For me, as a reader, this felt distancing. I think it would have benefitted from first person narration by a sidekick or from third person narration.
Having said that, there was an excellent twist at the end, I did enjoy it and I will read the sequel.
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